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Installation view

Photo by Josh White
http://jwpictures.com

 
 
 
 

Bettina Hubby
Pretty Limber
September 7 - October 19, 2013
Opening Reception: Saturday, September 7 6-8pm
 

Klowden Mann is proud to present our first solo exhibition of work by Los Angeles-based artist Bettina Hubby, Pretty Limber, the inaugural exhibition in the gallery's new Culver City location. The exhibition will feature an integration of various elements of Hubby's practice, founded in her collage work, and presented as individual works on paper, large scale vinyl cutouts and fabric pieces. The pieces range in size from 5 inch by 11 inch paper works presented in plexiglass to five foot by seven foot mounted vinyl figures traversing the gallery walls. The gallery will host a reception for the artist on Saturday, September 7th, from 6-8pm, as well as an October launch for an artist book of Hubby’s collages published by The Ice Plant, Uniforms.

 

Hubby's work in Pretty Limber approaches the way in which physical bodies interact with and define space, and the various levels of ritual used in the individual and communal construction of identity. Boundary and its redefinition is a pervasive theme in the work, as the paper and vinyl forms comfortably inhabit their exhibition space while seeming to question its function, and offer unexpected possibilities for expansion, interaction and play. Many larger vinyl forms are paired with their smaller paper origins, and in this altered-scale doubling Hubby re-orients perspective and sense of place. Texture, pattern, articulated line and negative space (approached positively) are each present in the work, as figures, fabrics and forms are combined with any visible body removed and the three-dimensional substance of the body-form implied. Vinyl figures on the wall—both applied directly to the wall surface and mounted in distinct levels of distance from the wall—point us towards the wall itself and our relation to it, the inherent choices afforded by movement, self-presentation, and interaction.

 

In the gallery project room, Hubby creates a boudoir of sorts—flesh-colored walls act as context for a bed installation, with bedspread and pillows formed from prints of vintage European pornographic imagery with the physical bodies removed, and intermittent threaded enhancements of hair, clothing, and furniture. The fabric pieces are accompanied by vinyl hybrid forms and paper pieces occupying the surrounding walls. Here, the physical forms (that which has been removed and that which remains) are clearly sexual in nature, offering a furthering of the conversation began in the main gallery space and bringing a new overt eroticism to what has been implied in the pent-up energy of the other forms. In both rooms, space and figure maintain equal importance overall, in the framing of a shifting power dynamic in which dominance seems to belong to one or the other, in individual pieces or in turns. The forms combine to bring the audience awareness of our own bodies, and the space we encounter and invent in combination with our environment and one another.

 

Bettina Hubby received her MFA from the School of Visual Arts in New York in 1999. In addition to her individual practice, Hubby is known for her extensive collaborative projects and curatorial work, with a strong focus on themes of ritual, construction, identity, community, and the constantly changing notion of self and other within all of those interrelated categories. Her recent work on and around the theme of construction includes acting as the Resident Construction Artist at the Santa Monica Museum of Art, a three-month long project of intersection with the construction surrounding the museum site entitled Dig the Dig and culminating with a major exhibition event, the Dig the Dig Dinner. Hubby also curated a group exhibition entitled Dig the Dig on the theme of construction, which was presented at the LA Mart, and is in the process of creating work to be featured at the High Desert Test Sites in October of this year. Other recent projects include The Eagle Rock Rock and Eagle Shop (2012), an installation and pop-up store in the Los Angeles community of Eagle Rock, CA that blurred the lines between curation, collection, kitsch, craft, and commerce, Get-Hubbied (2009–2011), a two-year project about the institution of marriage that culminated in a legally binding wedding, and Co-Tour (2008), a bus tour that explored spaces of private significance throughout greater Los Angeles. Her work was included in The Home Show at the California Arts Foundation in 2011, along with other recent group exhibitions at venues including gallery km (now Klowden Mann) in Los Angeles, Miami and San Francisco, Andrew Shire Gallery, and LACE (Los Angeles Contemporary Exhibitions). She has been featured on KCRW and NPR, and her work has been written about in the L.A. Times, The New York Times Magazine, the Huffington Post, L.A Weekly, Notes on Looking, and many others.

 
Download Press Release

  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

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  • Pretty Limber Installation view

    Photo by Josh White
    http://jwpictures.com

    3118
  • Pretty Limber She can bring home the bacon

    2013
    vinyl decal and vinyl mounted on lasercut dibond
    85 by 71 inches
    Photo by Josh White
    http://jwpictures.com

    3140
  • Pretty Limber Ready at rest

    2013
    vinyl mounted on lasercut dibond
    64 1/2 by 46 1/2 inches
    Photo by Josh White
    http://jwpictures.com

    3141
  • Pretty Limber The dark twins

    2013
    vinyl decal and vinyl mounted on lasercut dibond
    69 by 125 inches
    Photo by Josh White
    http://jwpictures.com

    3115
  • Pretty Limber Full metal jacket

    2013
    vinyl mounted on lasercut dibond
    39 by 42 inches
    Photo by Josh White
    http://jwpictures.com

    3138
  • Pretty Limber Installation view

    2013
    vinyl decal
    51 1/2 by 42 inches
    Photo by Josh White
    http://jwpictures.com

    3139
  • Pretty Limber A bolt of fur

    2013
    vinyl mounted on lasercut dibond
    83 by 39 inches
    Photo by Josh White
    http://jwpictures.com

    3135
  • Pretty Limber Sweet sneaker

    2013
    vinyl decal
    43 1/2 by 56 inches
    Photo by Josh White
    http://jwpictures.com

    3119
  • Pretty Limber Fox and the grapes

    2013
    vinyl decal
    131 by 39 inches
    Photo by Josh White
    http://jwpictures.com

    3198
  • Pretty Limber Pretty limber

    2013
    vinyl decal and vinyl mounted on lasercut dibond
    48 1/2 by 82 inches
    Photo by Josh White
    http://jwpictures.com

    3108
  • Pretty Limber Cannonball

    2013
    vinyl decal and vinyl mounted on lasercut dibond
    130 by 89 inches
    Photo by Josh White
    http://jwpictures.com

    3137
  • Pretty Limber Cannonball

    2013
    vinyl decal and vinyl mounted on lasercut dibond
    130 by 89 inches
    Photo by Josh White
    http://jwpictures.com

    3136
  • Pretty Limber Laundry's reach

    2013
    vinyl decal
    101 by 134 inches
    Photo by Josh White
    http://jwpictures.com

    3133
  • Pretty Limber Laundry's reach

    2013
    vinyl decal
    101 by 134 inches
    Photo by Josh White
    http://jwpictures.com

    3143
  • Pretty Limber A wolf named mesmer

    2013
    vinyl decal
    59 by 45 inches
    Photo by Josh White
    http://jwpictures.com

    3128
  • Pretty Limber Pretty Limber (detail)

    2013
    collage on paper
    17 3/4 by 27 1/4 inches (framed)

    3016
  • Pretty Limber Pretty Limber

    2013
    collage on paper
    17 3/4 by 27 1/4 inches (framed)

    2997
  • Pretty Limber The dark twins

    2012
    collage on paper
    12 3/8 by 27 3/8 inches (framed)

    2987
  • Pretty Limber Load bearing

    2013
    collage on paper
    11 3/4 by 20 3/4 inches (framed)

    2980
  • Pretty Limber Ladder of suede

    2013
    collage on paper
    27 1/4 by 12 1/4 inches (framed)

    3161
  • Pretty Limber Full Metal Jacket

    2011
    collage on paper
    12 by 22 1/4 inches (framed)

    2996
  • Pretty Limber Ready at rest

    2013
    collage on paper
    21 1/2 by 18 1/2 inches (framed)

    2995
  • Pretty Limber A bra's soft landing

    2013
    collage on paper
    27 1/4 by 12 1/4 inches (framed)

    3163
  • Pretty Limber Cannonball

    2012
    collage on paper
    27 1/2 by 12 3/8 inches (framed)

    3165
  • Pretty Limber Laundry's Reach

    2013
    collage on paper
    11 1/4 by 17 1/4 inches (framed)

    2992
  • Pretty Limber Plumage of the drill

    2012
    collage on paper
    19 3/4 by 12 5/8 inches (framed)

    3166
  • Pretty Limber A bolt of fur

    2013
    collage on paper
    22 1/2 by 12 inches (framed)

    3169
  • Pretty Limber Breaking the couch barrier

    2013
    collage on paper
    11 1/2 by 19 inches (framed)

    2986
  • Pretty Limber Pillow worship

    2011
    collage on paper
    16 by 10 1/2 inches (framed)

    3167
  • Pretty Limber Becoming

    2013
    collage on paper
    22 1/2 by 12 inches (framed)

    3164
  • Pretty Limber She can bring home the bacon

    2013
    collage on paper
    22 1/4 by 12 inches (framed)

    3168
  • Pretty Limber A wolf named mesmer

    2013
    collage on paper
    18 3/4 by 12 5/8 (framed)

    3171
 
 

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