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Installation view

 
 
 
 

Megan Cotts
I love you Helen
March 15 -  April 19, 2014
Opening Reception:  Saturday, March 15, 6-8pm

 

Klowden Mann is very pleased to present I love you Helen, the gallery’s first solo exhibition of works by Los Angeles-based artist Megan Cotts. The exhibition features three-dimensional pieces constructed of varying materials including canvas, wood, aluminum, steel, rope, foam and epoxy, as well as a series of 27 small scale silkscreen prints. Based upon a series of patent drawings for honeycomb paper that originated in Cotts’ family in late 19th century Germany, the work in the exhibition approaches issues of labor, intellectual property, and the translation of family history through machinery and artifact into a process that re-embodies that history in the present. In conjunction with the exhibition, the gallery project space will also present a video piece by D3, an artist run service by Megan Cotts, Ali Prosch and Brica Wilcox, dealing in object divestment. The exhibition will run from March 15th through April 19th, with a reception for the artists on Saturday March 15th from six to eight in the evening.

 

The starting point for this body of work began in 2011, when Cotts sat down with her father's family scrapbooks from his parents' and grandparents' personal documentation of their lives in early 20th century Germany. In 1899, Cotts' great-great grandfather, Samuel Pinner, along with his partner Hans Heilbrun, filed the first patent for honeycomb paper technology. Soon afterwards, they opened a factory in the town of Halle, Germany producing honeycomb paper objects, with a popularity that then expanded the company to offices in Berlin, Paris, New York, and London. They continued operating their original factory until 1938 when, as Jews, their patents were nullified and the factory was taken over the Nazi party. The family left and moved to the United States, but the technology they had formed had expanded into multiple industries. Their original machines, which they had used to create decorative objects prized in middle-class households of the new increasingly disposable economy, were also being used to form identical structures in different materials for the airplane industry, including the construction of German bomber planes and the then-budding airplane industry in Los Angeles. The technology has since expanded into multiple areas, and continues to be used both in its original paper form and in the contemporary incarnation of the aviation and aeorospace industries.

 

The body of work in I love you Helen is based upon the individual patents that were once held by Cotts' family, with the series of silkscreens presenting a direct representation of patent drawings—a kind of building block language for the work as a whole—and the sculptures offering Cotts' reinterpretation of those forms in larger scale. The pieces speak to the direct process of translation at work in the original honeycomb product, working through machinery to move from two dimensions to three dimensions. Cotts' sculptures also often combine the handmade and the fabricated, in a way that focuses on the space where the two meet, and where they diverge. The physical reinterpretation of objects with both familial and historic potency offers a spacial consideration of family history as inextricably tied to politics, labor, technology and geography, while maintaining a grounding based upon the nearly-universal experience of family history imparted through personal objects.

 

Megan Cotts was born in New York, NY in 1979, and received her MFA from California 
Institute of the Arts in 2009. She had exhibited her solo work at Dan Graham and Compact Space in Los Angeles, Junior Projects and AIR Gallery in New York, TSA in Brooklyn, I-A-M Gallery and Atelierhof Kreuzberg in Berlin, Germany, and SIA Gallery in Sheffield, England, as well as exhibiting at fairs with Klowden Mann in San Francisco and Miami. She has participated in the Terra Summer Residency in Giverny, France, the Vermont Studio Center, the GlogauAIR Artist in Resicence Program in Berlin, Germany and the I-A-M Artist in Residence Program in Berlin, Germany.  Cotts has also performed and exhibited with D3 at Machine Project and Human Resources in Los Angels, CCS Gallery at UC Santa Barbara, and Central Trak Gallery in Dallas. Concurrent with the exhibition, Cotts’ work can be seen in the inaugural group show of Junior Projects in New York.

 

Download Press Release

  • I love you Helen Installation view
    3942
  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Installation view
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  • I love you Helen Honey, Honey

    2012
    thread, canvas
    38 by 32 inches

    3954
  • I love you Helen Honey, Honey (detail)

    2012
    thread, canvas
    38 by 32 inches

    3956
  • I love you Helen Fig. 5

    2013
    Spray painted aluminum
    71 by 17 by 1/4 inches

    4048
  • I love you Helen Unter die Haut II/Under my skin II

    2013
    EPS foam, fiberglass, epoxy resin and paint
    240 by 50 by 10 centimeters (X2)
    94.5 by 19.7 by 3.9 inches (X2)

    3957
  • I love you Helen Resistance of Hollow Sides

    2013
    Canvas, thread, wood and steel
    70 by 31 by 50 inches

    3961
  • I love you Helen Resistance of Hollow Sides (detail)

    2013
    Canvas, thread, wood and steel
    70 by 31 by 50 inches

    3963
  • I love you Helen Resistance of Hollow Sides (detail)

    2013
    Canvas, thread, wood and steel
    70 by 31 by 50 inches

    3962
  • I love you Helen Fig. 3

    2014
    Spray painted aluminum, rope
    60 by 20 by 1/4 inches

    4043
  • I love you Helen Fig. 3 (detail)

    2014
    Spray painted aluminum, rope
    60 by 20 by 1/4 inches

    4046
  • I love you Helen 27 Heilbrun & Pinner patent illustrations from 1901-

    2014
    Silkscreen on Stonehenge paper
    8.5 by 11 inches

    3965
  • I love you Helen 27 Heilbrun & Pinner patent illustrations from 1901-

    2014
    Silkscreen on Stonehenge paper
    8.5 by 11 inches

    3966
  • I love you Helen 27 Heilbrun & Pinner patent illustrations from 1901-

    2014
    Silkscreen on Stonehenge paper
    8.5 by 11 inches

    3968
  • I love you Helen I Love You Helen II

    2012
    Wood, paper, glue, copper
    200 by 50 by 85 centimeters
    78.7 by 19.7 by 33.5 inches

    3971
  • I love you Helen I Love You Helen II

    2012
    Wood, paper, glue, copper
    200 by 50 by 85 centimeters
    78.7 by 19.7 by 33.5 inches

    3973
  • I love you Helen I Love You Helen II (detail)

    2012
    Wood, paper, glue, copper
    200 by 50 by 85 centimeters
    78.7 by 19.7 by 33.5 inches

    3976
  • I love you Helen DE426689A Fig. 1

    2013
    Flashe, thread and dye on linen
    31 by 66 inches

    4047
  • I love you Helen Case #0012 Surogate + Destruction Video

    Megan Cotts, Ali Prosch, Brica Wilcox
    2012
    RT: 9:42

    3977
 
 

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