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Installation view, West gallery

 
 
 
 

Alexandra Wiesenfeld

A Love Uneven

March 23 -  April 27, 2013

Opening Reception:

Saturday, March 23 6-8pm

 

gallery km is proud to present A Love Uneven, Alexandra Wiesenfeld’s second solo show at the gallery. The exhibition will run from March 23rd to April 27th, with an opening reception for the artist on Saturday, March 23rd, from 6-8pm.

 

Offering brief, closely-encountered narrative moments between a woman/sculpture and a ram/sheep, Wiesenfeld’s primarily large-scaled oil paintings call upon and torque the traditions of both Classical Greek art and Romanticism. Temporality, choice, and an insistent dialogue between reason and emotion (presented as two parts of the same whole) are frequent themes in Wiesenfeld’s practice, along with the use of multiple-imagery—often involving a juxtaposition of human and animal forms—and a visceral use of color. In A Love Uneven, the pairing of unexpected elements continues, but the angle and focus has changed. The figures exist with one another in tight quarters, cropped at odd angles, with features visible only from the neck up, and no context in the space behind them other than dark or bold color, and the strong presence of draped fabric.

 

Though invoking artistic traditions in which the pain of grief or the ecstasy of spirituality became fodder for humanistic gesture in stone or paint, Wiesenfeld’s works themselves inhabit a discomfiting space in which the critical distance necessary for subjective entry is disallowed. The drama of the characters and composition is amplified at every turn by narrative refusal, by the opacity of the story itself. The relationship between woman and animal is revealed in such close-up that any understanding of the particulars of the love story is inferred in the space between paintings, more than revealed in the paintings themselves. The sensual and the immovable come face to face (each character takes its turn being more flesh than stone), but without the catharsis of narrative apex, we are left unsatisfied, attempting again and again to find a way in to the story.

 

Each character in these paintings uses the other to try to reach beyond what they are, but of course, in the end, a sheep is a sheep, a statue is a statue, and—Wiesenfeld would argue—a painting is a painting. Transcendence is constantly attempted but remains out of reach, for the characters as well as for Wiesenfeld’s audience, who are denied subjective identification. The Woman gives us no eyes to see into—she is either stone, or flesh with eyes closed—and the eyes we are afforded are those of the Ram, looking out with complete apathy. Satisfaction for the characters comes in the moment itself, and for the audience in the pleasure and transportation of the compositions, which are consciously and unapologetically beautiful. Here, we see Wiesenfeld creating a parable of representational painting, which though unable to transcend its own surface, argues for its own persistence in many ways through the pursuit of impossible pleasure.

 

Alexandra Wiesenfeld has exhibited her work in recent solo exhibitions at gallery km and the Happy Lion Gallery in Los Angeles, as well as in group exhibitions in Germany, New York, and throughout California. She received her BFA from Pomona College and an MFA from Montana State University, and is currently an Associate Professor at Los Angeles City College.

 

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  • A Love Uneven Installation view, West gallery
    1961
  • A Love Uneven Installation view, West gallery
    1968
  • A Love Uneven Installation view, West gallery
    1960
  • A Love Uneven Installation view, West gallery
    1957
  • A Love Uneven Installation view, West gallery
    1967
  • A Love Uneven Installation view, West gallery
    1963
  • A Love Uneven Installation view, West gallery
    1966
  • A Love Uneven Installation view, West gallery
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  • A Love Uneven Installation view, West gallery
    1965
  • A Love Uneven Installation view, West gallery
    1962
  • A Love Uneven Installation view, West gallery
    1958
  • A Love Uneven Installation view, West gallery
    1959
  • A Love Uneven Installation view, East gallery
    1973
  • A Love Uneven Installation view, East gallery
    1971
  • A Love Uneven Installation view, East gallery
    1975
  • A Love Uneven Installation view, East gallery
    1972
  • A Love Uneven Installation view, East gallery
    1974
  • A Love Uneven Installation view, East gallery
    1970
  • A Love Uneven Installation view, East gallery
    1969
  • A Love Uneven veil

    2012
    oil and acrylic on canvas
    60 by 60 inches

    1955
  • A Love Uneven yellow drips

    2013
    oil on canvas
    24 by 24 inches

    1956
  • A Love Uneven Installation view, East gallery
    1215
  • A Love Uneven void

    2013
    oil on canvas
    48 by 60 inches

    1953
  • A Love Uneven Black Sheep

    2013
    oil on canvas
    48 by 60 inches

    1954
  • A Love Uneven painted rock

    2013
    oil on canvas
    84 by 24 inches

    1952
  • A Love Uneven muzzle

    2012
    oil on canvas
    84 by 24 inches

    1951
  • A Love Uneven chin up

    2012
    oil on canvas
    84 by 48 inches

    1950
  • A Love Uneven head on structure

    2012
    oil on canvas
    84 by 48 inches

    1949
  • A Love Uneven stone and fur

    2012
    oil on canvas
    48 by 84 inches

    1976
  • A Love Uneven into the yellow

    2012
    oil on canvas
    68 by 48 inches

    1977
 
 

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